WAXED JACKETS AND OTHER STUFF - A correspondence =
30th
November '97
Dear Jim Stewart, I
felt that a letter was appropriate although I am not what you call
a letter writer.
Its only over
the past few months that I have discovered Fetters and all it stands
for. Your catalogue and stories Top Ridge Farm, Scenario for a
Leather Fantasy and several others plus John Stapleton's The
Adventures of a Motorcycle Messenger have really amazed me. They
are so totally on my wavelength . I understand what you say
in the introductory blurb' about them being mainly for information
and to show alternatives. This they have done for me in lots of ways
- but they're also HOT.
You say you like
feedback because it helps the information bank. Well the bank has
really paid out for me. I understand a lot of things more clearly
since reading the above titles - then taking in all the details from
your So I Like To Get Tied-up' . I will admit that for many
years I thought I was the only one - until meeting one other guy who
has the same way of thinking about physical restraint using everyday
gear for that purpose.
For example, I
was intrigued to read about your army Combat Jacket modified with
handcuffs inside pockets. I have a Levi denim jacket (faded blue -
one of 6) which I modified in a similar way a long time ago. It has
slant pockets at front, and I daringly cut a small hole in each so
a handcuff chain could be threaded through inside between pockets.
By placing a hand in each pocket, cuffs can be closed on the wrists
by somebody else - who then closes the denim jacket before escorting
his helpless prisoner - wherever. Together we've tried several versions
of this. It's easier with two pairs of cuffs, a single cuff of each
locking each hand into separate pockets, then the two spare cuffs
inside the jacket can just be locked together. I have myself been
in different configurations of this idea on many occasions, up to
a few hours - even to the extent of shopping with my partner; most
enjoyable.
Gear you mention
like PVC, oilskins, leather, army combat boots is very much my scene
also, but my main items for restraint is Belstaff or Barbour motorcycle
black waxed cotton. My total ownership is now some twelve jackets
plus six trousers all of different sizes shapes and condition. May
I please ask you, in Top Ridge Farm you mention waxed cotton
very briefly but give nothing like the detailed descriptions you give
of leather and oilskins - so have you yourself had experience of waxed
cotton, and have you ever written anything that involves Belstaffs
for any use, in any way? I would be very interested to hear. Unfortunately
I've failed to find many people that have a particular interest in
waxed cotton ...
My favourite
way to use my Belstaff waxed gear is as follows :-
1st jacket (old well waxed) plus trousers, both inside out put
on over naked body and done up as fully as possible.
2nd jacket + trousers on properly - preferably smaller size than
first ones making them tight to the body. Then add waxed cotton
mittens + rubber boots.
3rd jacket on properly with mitts sealed and snapped inside jacket
cuffs. Then, hands in pockets, belted around arms + rope used around
waist to fix arms tightly to body and keep hands in pockets.
4th jacket on back-to-front + more rope to keep arms tight.
5th Extra large jacket properly on with belt done up, empty sleeve-ends
in pockets, and more rope around body if necessary,
That's only a
very brief description, but I can assure you it can be a very effective
restraint plus HOT in all senses of the word. I enjoy being tied up
like this for hours, being fed and bedded down for the whole night
with a pillow covered in an old jacket. Very stimulating, even to
think about in retrospect.
I feel I could
continue writing but do not wish to bore you with ramblings that possibly
only interest me. I have enclosed an SAE and hope very much you can
reply in some way about the questions on waxed cotton. Any extra ideas
on their use in any way would, of, course be appreciated. Yours -
- - signed
6th
December '97 I replied ...
Hello Geof,
Your letter reached me - only a couple of hours ago, in fact. Thanks
for your detailed and well considered descriptions and questions.
I enjoy discussion, whether face to face or in correspondence ...
as you will have gathered from the various books books you mention
(see 'Storylines' on Home Page for all titles).
Did I say the
books were ... only for information .... ? That worried me. Without
looking it up, I hope I suggested that in the fiction the stories
contain reliable information rather than impossible and perhaps dangerous
fantasy. They're certainly not mindless jerk-off material - but I
hope they're packed with things people can get off on ... but different
people get off on different things.
Running
my eye down your much appreciated letter ...
Feedback
- is always welcomed - and valuable because it can be shared, passed
along, built on. Yes, we're on the same wavelength if you're turned
on by leather, heavy rubber (as distinct from latex), oilskin, combat
gear and boots - especially used in restraint situations. All that
I can happily share in. In fiction, choosing the range of images and
the predicaments they can create is like assembling a storyboard,
the pieces making a visual sequence for the Mind's Eye.
Visualising
a mental fantasy step-by-step is the subject of Scenario
for a Leather Fantasy (in the GAMES MEN PLAY booklet).
Visualisation', as a mental exercise, is currently a hot topic with
me. Of course in preparation for an actual happening the selection
from the toy-cupboard and pre-planning of the event, is the same process.
In the imagination one makes choices in advance. When writing fiction
or in a real live scene, whatever is pre-planned can easily be modified
as the action happens because it's a shared experience. My particular
turn-on is a slightly competitive element, so tables can be turned;
the unexpected can always happen between well-matched players. That's
why I so often refer in scenarios to interaction'
Your handcuffs
under a denim jacket is probably as much fun as my military
version - all a matter of what imagery turns you or your play-partner
on. Out in public, being disadvantaged is great, isn't it ... as is
escorting somebody out who's some how handicapped ... specially if
the one who's supposedly in control is also wearing something locked
on which the incapacitated' person holds the key for (which may not
be accessible until he is first unlocked).
Barbour
and Belstaff have always attracted me (both wax cotton and
the old Black Prince shiny stuff). I'm delighted to make contact with
somebody else who's attracted to greasy wax cotton - one of my earliest
lusts. I envy you the succession of layers you describe. Because such
a routine takes time to pull on and help to complete ... lucky you
to have somebody willing to indulge/assist/encourage/provoke you.
Tell me what he gets up to during times when you're suitably suited
up! I hope he gets off on your predicament - or do you take turn and
turn about?
The practicalities
of layering have always fascinated me. Wax Cotton against
skin is terrific. For the past few months I have been trying to track
down a source of really greasy wax cotton fabric on the roll, so Fetters
could line more bags and sacks.
Long ago, before
I started Fetters, I made a sort of strait jacket out of an old Barbour
wax jacket, but it didn't last long because the garment itself needed
extra strength. I have always liked to fight my way out of whatever
I've been put into, if it's humanly possible. Nowadays, I sometimes
put a canvas or mesh strait-jacket over a wax or oilskin jacket to
enjoy the tactile effect plus the strength, heat and inescapable-ness.
The hotter it gets, the softer and more clinging. I may be old and
out of shape - but I still get to enjoy the occasional roll-around.
Do you
ever take pictures of yourselves when in or getting into
your layers of wax gear? That I would like to see.
My current
projects?
I just got
back from New York where I did a presentation about mental visualisation'
or how to make jerk-off fantasies more potent. This included discussing
audio-visual back-up like still photos, video or audio tapes, desk-top
editing together of favourite images, Internet or phone sex. It was
an interesting evening and I've come home with wads of notes - so
I guess I'll be putting them down on paper for the next couple of
weeks.
I also did a workshop
on Enforced Chastity'. Rather than traditional lockable belts I was
talking mainly about lockable clothes. The group discussion covered
a lot of ground - and chas tity as a concept is more than not having
sex, is it not being allowed to have an orgasm or being prevented
from getting an erection by whatever means. or being milked dry
to stop you getting horny
Do you try to
stimulate yourself when layered in gear ? Or do you wear something
underneath to prevent you from stimulating yourself? Do you spend
time locked into stuff and unable to get out of it when the key holder
is somewhere else?
So, give me a
call next time you're around this way (I'm only a mile from Vauxhall)
and we could perhaps meet and gossip. Since I retired from the day-to-day
running of Fetters I have much more time on my hands ... although
am usually quite busy, I do self-indulge myself just bouncing ideas
around in letters and on e-mail.
Keep in touch.
Your letter was much appreciated.
Sincerely yours,
Jim Stewart.
SENT
HIM NOTES ON 'MAKING FANTASY MORE POTENT' WORKSHOP*
A printer-friendly verson of the complete text is available at
WAXED JACKETS AND OTHER STUFF
Writing
this correspondence also prompted me to write two different semi-autobiographical
stories: see WELL WAXED AND WATERPROOF
and, more recently, LONG-DISTANCE
CONTROL TRIP